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The long-waisted silhouette of the previous period was replaced by a high-waisted style with fullness over the belly, often confined by a belt.The wide, shallow scooped neckline was replaced by a V-neck, often cut low enough to reveal the decorated front of the kirtle beneath. The cotehardie fitted smoothly from the shoulders to the hips and then flared by means of inserted triangular gores.The grey and white squirrel furs of the Middle Ages, vair and miniver, went out of style except at court, first for men and then for women; the new fashionable furs were dark brown sable and marten.Toward the end of the 15th century, wild animal furs such as lynx became popular.The neckline could be filled in with a sheer linen partlet.

High-value broadcloth was a backbone of the English economy and was exported throughout Europe.

In reality, images appear of sleeves with a single slashed opening as early as mid-15th century, although the German fashion for "many small all-over slits" may have begun here.

Whatever its origin, the fad for multiple slashings spread to German Landsknechts and thence to France, Italy, and England, where it was to remain a potent current in fashionable attire into the mid-17th century.

Women's fashions of the 15th century consisted of a long gown, usually with sleeves, worn over a kirtle or undergown, with a linen chemise or smock worn next to the skin.

The sleeves were made detachable and were heavily ornamented.

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